Some of you may have seen most of these photos, but I decided to present them here as a little photo essay anyway. This scarf was made for my friend and former coworker, Sue, as a parting gift. She was laid off from the company and has returned to Winnipeg Manitoba after securing a position out there. I will miss her humour, insights, level-headedness and company.
The fibre is 80/20 merino/silk top, dyed in the "Sunflower" colourway by Clover Leaf Farms. I bought it at NY Sheep and Wool in October 2009. It, and the finished yarn, is really much more beautiful than my pictures can show.
The fibre was spun on a spindle by Tracy Eichheim at Woolly Designs.
Singles were wound off onto felt balls.
Two balls of singles were wound into a 2 strand plying ball.
And then plying twist was imposed.
I use a larger, heavier spindle for plying than for spinning singles. You can see them both in this photo.
Yarn was wound off the plying spindle into skeins. They went for a soak in a bathtub of hot water, and were laid flat to dry. Second picture shows a penny, for scale.
By this point, Sue had interviewed for the job in Winnipeg, and, as she was a dead-ringer for the position, I knew I was on a deadline. After some shilly-shallying, I chose to knit the scarf using Kieran Foley's "Blackbird" pattern. Except, in adding a couple of extra pattern repeats, I cast-on too many stitches, and ended up with an extra 1/2 pattern repeat. I considered restarting, but there were 600- and-some-odd stitches and I was on a deadline. So I improvised the shaping and ended up with a semi-circle rather than a triangle. You'd never know that from this picture, though.
And I omitted the beads, because I don't do beads in knitting.
Lace looks like nothing until it's dressed out.
And then it is beautiful.
To RecapFibre is 80/20 Merino/silk top from Clover Leaf Farms in "Sunflower" colourway, spun to 2-ply laceweight.
Pattern is "Blackbird" by Kieran Foley. I would absolutely work this design again, and perhaps even as a triangle as written. It is well worth working to see how the shapings are contained within the design; very clever. Only thing is that there are these quadruple increases and decreases that form little beads
that run in 3 bands in the garment. If not worked with particular care to '"staying loose", they can bind the fabric when dressing. Next time -- and there will be a next time -- I'll work these rows with a needle a size or 2 larger.
All in all, very good. The colour looks great on Sue. I took the finished scarf to the Men's Spring Knitting Retreat as part of my Show'n'Tell, and all who looked at it carefully said the photos did not do the colours justice. It's really a lovely piece.